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The Evening Show with Dan O'Connell 7pm - 10pm
12 November 2024, 12:00
If you had to define a band or artist by their compilation, which one would you pick? It’s not as easy as you think, as Radio X compiles everything from Oasis to The Killers.
A chronologically-scrambled dip into the career of the Britpop stalwarts, from She’s So High to Tender, just before Coxon jumped ship. There’s an extended version of For Tomorrow and a new song, Music Is My Radar, plus a memorable bit of cover art.
Taking in the highlights from the Las Vegans’ first four album, this collection doesn’t mess about, kicking off with their finest moment, Mr Brightside. All These Things I Have Done, Somebody Told Me, Human, Spaceman, Smile Like You Mean It and more are all present and correct, and there’s even time for a couple of new tracks: Shot At The Night and Just Another Girl. Ten years on and the band issued an updated version called Rebel Diamonds, which included tracks from Wonderful Wonderful and Imploding The Mirage and swapped Smile Like You Mean It for Jenny Was A Friend Of Mine. It's a tricky one.
Substance was a collection of all the Manchester band’s 12” singles, two of which - Temptation and Confusion - were re-recorded for this LP. There’s Blue Monday, the beautiful Thieves Like Us and the then-new True Faith. For the post-Substance years, you’ll need 1994’s Best Of, which includes Regret, World In Motion and some superfluous remixes or Total, which adds some tracks by Joy Division for the lazy person at large. An expanded version of Substance was issued in 2023.
No-nonsense collection of agitprop hits from the Welsh band, from 1991’s Motown Junk to a couple of new songs, There By The Grace Of God and Door To The River. It’s a bit light on the Holy Bible material and loses a few points for not including the original, Heavenly Records version of You Love Us (with the Lust For Life ending), but it’s an effective summary of the group’s career to that point.
Released in 1976, so he’s not even booked his flight to Berlin yet, but what a cover, cloned directly from the uber-cool Station To Station sleeve. 11 tracks may seem to be only grazing the surface of his career, and while that’s true, you can’t argue with that track-listing: Oddity, John, Changes, Ziggy, Suffragette, Jean, Dogs, Rebel, Americans, Fame, Years. No flab.
This is a tricky one. Yes, Singles is a pure rundown of Morrissey and Marr’s finest 45s. Yes, Best I and II include most of the classic moments. But there's something rather special about Hatful Of Hollow. For many fans at the time, it was a budget-priced gateway into The Smiths' world, taking in some of the band's classic early singles (William It Was Really Nothing, Heaven Knows I'm Miserable Know), some impeccable b-sides (Girl Afraid and the mighty How Soon Is Now?) and a number of BBC sessions that quite often beat the studio versions hands down. A few points docked for the John Peel session version of This Charming Man, but this is more than made up for by the devastatingly beautiful acoustic take on Back To The Old House.
You’ve probably got the albums, but JUST IN CASE you haven’t here’s a distillation of the Gallaghers’ art in their heyday, up til just before their final album to date, Dig Out Your Soul. Two discs - the first starts with Rock ’N’ Roll Star and ends with The Masterplan. Disc 2 starts with Live Forever and ends with Don’t Look Back In Anger. You can’t go wrong with that.
The Fab Four’s compilation 1 scrapes up the band’s chart-toppers effectively, but the rules of the game mean that we miss off Strawberry Fields Forever and Penny Lane - which is a RED CARD, frankly. Better to grab these two double LPs issued on 2nd April 1973 and initially intended to combat bootlegs. The collections pick choice album tracks alongside the hits. Volume 1 is a bit heavy on the Rubber Soul and light on the Revolver, and Vol II inexplicably includes Ringo’s Octopus’s Garden, but the new 2023 expanded editions go some way to rectifying that.
An amazing collection from a band that transcended their Britpop roots. From the youthful exuberance of Caught By The Fuzz and Pumping On Your Stereo to the more wistful sounds of Late In The Day and Moving, it’s a textbook example of how to make memorable singles.
It starts with Dakota and ends with Handbags And Gladrags. In between, you get The Bartender And The Thief, Local Boy In The Photograph, Mr Writer, Have A Nice Day, A Thousand Trees, Traffic and more. Tidy.
After they morphed from long-raincoated gloom merchants to wacky pop figures in wardrobes, Fiction issued this retrospective that starts with the joyous post-punk of Boys Don't Cry, travels through the bleak years of A Forest and winds up with The Love Cats, In Between Days and Close To Me. For Friday I'm Love and Pictures Of You, see the follow-up, Galore.
Outrageously comprehensive three-disc set that takes in every Stones A-and-B-side from their debut Come On in 1963 to Wild Horses in 1971. And a few nice additions, too, including Sympathy For The Devil, Memo From Turner (from the Performance soundtrack) and even Bill Wyman’s rubbish In Another Land. What it loses by cutting off as the 1970s get underway, it gains with some gems: Child Of The Moon (the flip to Jumpin’ Jack Flash) the trippy 2,000 Light Years From Home and the underrated psychedelic combination of We Love You and Dandelion.
There was a “Best Of Joy Division” released in 2008 after the success of the Control movie, but that mixes singles with album cuts. We say: get the two original albums, the mopping-up compilation Still and this volume that takes in various EPs, singles and rare tracks, including the immortal Love Will Tear Us Apart, the thrilling Transmission and the unstoppable double-whammy of Dead Souls and Atmosphere. The 2015 reissue adds a plonky electronic instrumental and an alternate take of LWTUA, for the super-fans.
Being the adventures of Basildon’s answer to Kraftwerk from their debut Dreaming Of Me to the new track Shake The Disease, via a cavalcade of hits: New Life, Just Can’t Get Enough, Everything Counts, the list goes on. Yes, it cuts off before the days of Personal Jesus and Enjoy The Silence, but the second volume (Singles 86>98) is twice the length and tails off a bit towards the end.
International Superhits had been released in 2001, but that meant you didn't get the band's 21st Century resurgence in popularity, including Boulevard Of Broken Dreams and Wake Me Up When September Ends. The track listing leans heavy on American Idiot and Dookie, but the album begins with a track from 1991's Kerplunk! album, so hardcore fans are served.
One of the biggest-selling albums of all time and with good reason: this is all of Queen's major singles from Seven Seas Of Rhye in 1974 through to Flash in 1980, but cunningly sequenced in non-chronological order, which means things kick off with Bohemian Rhapdsody. A second volume arrived in 1991 and a third in 1999 to cover the rest of the band's career.
Deduct several points for not including the band's debut Indian Rope, but this is a thorough delve into The Charlatans' first decade, from The Only One I Know to North Country Boy, via gems like Then and Weirdo, plus the fan favourite Sproston Green.
A year after Weller called time on the Mod revivalists, this compilation proved what a great singles band they were. On vinyl, it was a double album that spanned the era between In The CIty in April 1977 to their final outing Beat Surrender in November 1982, with a few album tracks and rarities thrown in.
There was a compilation titles What Hits!? in 1992, but this 2003 edition ignores the indie years in favour of the band's glory days on the Waner Bros label. Kicking off with Under The Bridge and Give It Away, it's an adrenaline rush of a collection; OK, so maybe you don't need the track from the Coneheads soundtrack, but everything else if pretty much solid.
Stop right there if you want Losing My Religion and Man On The Moon: this compilation is strictly from the band's indie years on the IRS label between 1980 and 1987 and you want the In Time collection for the big hits. This begins with the original version of the band's debut single Radio Free Europe and details R.E.M.'s progression from quirky unknowns into the world-conquering rock unit of the 90s. Highlights include the beautiful So. Central Rain and Fall On Me, the melancholy Driver 8 and the more familiar sounds of The One I Love and It's The End Of The World As We Know It (And I Feel Fine).