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5 August 2017, 19:16
What the hell is Tomorrow Never Knows about? Is Yellow Submarine talking about drugs? And what does the track She Said She Said have in common with Primal Scream’s Loaded? Radio X reveals all…
Many claim it’s the Beatles’ masterpiece and 5 August sees the classic album celebrate its 50th birthday. But how much do you know about the rather excellent LP? Here are some of the most pertinent questions about the record answered by Radio X’s Fab Four experts…
In 1966, Harold Wilson’s Labour government has introduced a “super-tax” to the top earners in the country, meaning The Quiet One had to dole out 95% of his hard-earned cash on income tax. “Should five per cent appear too small / Be thankful I don’t take it all.”
The song was originally drafted as “Miss Daisy Hawkins”, but Macca changed the name to fit the syllables. The “Eleanor” probably came from actress and comedienne Eleanor Bron, who starred in the Fabs’ film Help! Strangely, however, there’s an Eleanor Rigby buried near Paul’s former home in Woolton, in Liverpool, who died in 1939. WEIRD.
Nah. Anyone with a vinyl record player had tried the effect, including Thomas Edison, back in the 1870s. But the Fabs were the first to try it as a musical effect rather than a novelty when producer George Martin reversed a part of John Lennon’s vocal on the B-side Rain and the group were so impressed they used it on some other tracks, most notably George’s backwards guitar solo on I’m Only Sleeping.
The album included a whole stack of other production innovations that were quickly adapted by the wider world. Producer George Martin and engineer Geoff Emerick would set up microphones close to instruments like drums, strings and brass to get a remarkable, clean sound; the song Rain was recorded at a quick tempo and slowed down on the final mix to change the sound; tape loops were used on Tomorrow Never Knows; and the engineers invented a new process “Automatic Double Tracking” that made vocals and instruments double-up without having to re-record the track. This last innovation later became known as “phasing” or “flanging” and is still used today.
Peter Fonda. Jane’s brother had just starred in a biker movie called The Wild Angels and upset Lennon during a pleasant acid trip by relating the tale of when he accidentally shot himself in the stomach when he was 11. His phrase “I know what it’s like to be dead” found its way into a Beatles song… while a sample of Fonda in The Wild Angels was used to kick off The Scream’s classic 1990 track: “We wanna be free to do what we want to do!”
They played their summer 1966 single Paperback Writer, on their last tour, but after three solid years of Beatlemania, the band had become bored and disillusioned with not being heard by the screaming fans, and were happy to play their usual collection of crowd-pleasers. The Revolver songs were simply too complex, with too many overdubs and extra instrumentation to be played live, not to mention the rubbish amplification used in those days.
Klaus Voormann, a friend of The Beatles from their days in Hamburg at the beginning of the 1960s. Klaus studied art, but had recently moved to the UK to take up a career in music, playing bass with the group Manfred Mann. He created the collage out of a number of photos of the band (some of which appear on the back cover of the previous album, Rubber Soul) and Klaus himself appears on the front cover, just underneath the drawing of John’s mouth.
Well, it’s a pun on the way an LP revolves at 33-and-a-third revolutions a minute. However, the name was a work of desperation as it was ALMOST called “Beatles On Safari” or “Abracadabra”. Luckily, taste prevailed.
The US version of the album misses off three tracks: I’m Only Sleeping, And Your Bird Can Sing and Doctor Robert. Back in the 1960s, the US label Capitol would try and eke out more LPs from the Fab Four catalogue, so these three tunes were collected on an album called Yesterday And Today, which also included bits of Help! and Rubber Soul. The Beatles were not happy and this was the last album to be treated this way.
There are lots of theories on who this magical pill-dispensing shaman was, but the most likely is Dr Robert Freymann, a New York physician noted for reportedly offering Vitamin B-12 shots, laced with amphetamines to his wealthy clients. He lost his license in 1975 and died in 1987, leaving behind a book called “What’s So Bad About Feeling Good?”
Well… yeah. Paul McCartney was always cagey about it, but later admitted that it was “an ode to pot”. “It's saying, I'm going to do this. This is not a bad idea.” What a lad.
This one is definitely about drugs, too. LSD, to be precise. The words concern psychedelic guru Timothy Leary’s English interpretation of the Tibetan Book Of The Dead, which gives instructions on how a spirit goes through into the “next world”. Leary was an advocate of LSD and his book The Psychedelic Experience was an attempt to guide acid-heads through their use of the often-unpredictable drug. Lennon recorded himself reading the instructions onto tape and played it back as began his trip.
No, it’s a kids’ song! Honestly! It has nothing to do with yellow submarine-shaped pills.
It’s a picture taken by Robert Whitaker at Abbey Road studios in May 1966, when the Fab Four were shooting some promo videos for the single Paperback Writer / Rain.
It’s Paul McCartney, laughing. Or pretending to laugh. The sound was a tape loop that was sped up and distorted, then mixed into the final track.
And, finally, one bonus question:
That’s up to you. Some say Revolver has a stronger selection of songs, but lacks the unity of Sgt Pepper’s “concept”. Some say Pepper has a lot of filler. They’re both pretty good.